May incorporate other two-dimension (non-paper) components, suggesting that both Picasso and Braque co-created these techniques together.Cubism saw a rapid development from 1907 to 1914 which was predominantly contributed by Pablo Picasso and Georges Braque. A related technique is assemblage, which involves combining various objects and their parts on a surface. The creative genre is notable for its variegation and bold ideas. They often try to diversify the decorating technique with pictorial tools: a brush with paint or a pen with ink. Famous collage makers include film director Sergei Parajanov, who combined photographs, lace scraps, porcelain and dried plants. They combined scraps of fabric, photographs and wallpaper on canvases. It was first introduced into the visual arts by the futurists and cubists, in particular, Pablo Picasso and Georges Braque. This term also denotes the work performed in this technique. collage - “gluing”) is a method used in the fine arts to create an appliqué of various fragments, different in colour and texture. Picasso is credited with inventing "collage" with his 1912 work Still Life with Chair Caning, while Braque is credited for inventing "papier collé," or pasted paper, with his work Fruit Dish and Glass.Ĭollage (fr. At some point, both artists started pasting coloured and printed pieces of paper into their paintings, and then collage Most often these were still life with musical instruments, bottles, jugs, glasses, newspapers and playing cards, less often - human faces and figures. , in particular, outlined the range of common subjects. And when you finally notice it, you are repeatedly amazed at how the artist depicted the reflection on its sides from different angles. The violin in his painting is still recognizable, although it almost "dissolves" in the background, but one needs to read the title to see there the pitcher.
From a certain point of view, these paintings are very similar, but a closer look makes it apparent that at that time Braque was much more successful in playing with shadows and light, layers and perspectives. The beauty of these paintings was undeniable, but it was beauty in a completely different sense.įor example, Braque’s Violin and Jug or Picasso’s Portrait of Ambroise Vollard. The expressive style of painting was replaced by strictness of lines and forms the colours became restrained and subdued in the pictures there appeared some volume and almost unspeakable "tangibility". The metamorphosis was rapid and unexpected: in 1908, coming from his trip to L’Estaque, the artist brought to Paris a series of landscapes, which were absolutely new and strikingly different from his previous colourful Fauvist works ( 1, 2, 3). The same happened to colours: during his "blue" and "pink" periods, the artist created many paintings in a very limited colour palette.Īs for Georges Braque, his transformation from a Fauve to a Cubist was a quantum leap. Read moreĪs we know it was a vision that neither artist could have realized alone." In Cubism, shape is more important than colour. Its distinctive features are the direct use of geometric shapes, a narrow circle of subjects (portraits, still lifes or buildings), deformation, angularity, complete lack of realism. cubisme) is a recognizable art movement that originated at the beginning of the 20th century, and many of its techniques are still in demand. The founding fathers urged to stop adoring the art of the past, and to exalt the industrial spirit of the future: to draw airplanes, cars, metal bridges, steamers and other achievements of the progress. Some ironically called it scandalous cubism. The art movement developed in the first quarter of the 20th century, mainly in Italy and Russia. A very thin line separates it from the concept of “modernism”. Avant-garde is how modern art critics refer the general trend of new artistic directions that arose in world art at the turn of the 19th and 20th centuries.
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